What is remarkable in the NOIMA group is their relationship with time. Perfectly contemporary, inserted in the present without hesitation, the young artists revisit the monuments of tradition reverentially and perseveringly. The confidence of their realization that they belong to our times does not tarnish the grace with which they go beyond the trend, the standard, the dictatorship of the latest cry. They understood, as it were, that – above all – tradition is a past that refuses to pass away.